Posted in Favourite Children's Poetry

Pie Corbett: Favourite Poetry Books

Seventh in my series where I ask a well-known poet to choose some of their favourite poetry books is Pie Corbett. He was asked to choose 5-8 books, one of which could be an adult collection, one of which had to be his own. Pie is an English educational trainer, writer, author, anthologist and poet who has written over two hundred books. He is now best known for creating Talk for Writing which is a teaching programme that supports children as storytellers and writers. Pie is a wonderful and dedicated supporter of children’s writing and children’s poets.

Favourite Poetry books

The Magic Box by Kit Wright brings together all of his beautifully crafted poems for children. He is just at home being funny as he is when dealing with deeper emotions. It contains his classic poem ‘The Magic Box’ which always works as a catalyst for children’s writing. A must for every Key Stage 2 classroom.

Manifold Manor by Philip Gross is one of the finest poetry books written for children in the last 50 years. Each poem is a game and invites children into writing. Wonderfully crafted and richly imagined. Enter the Manor and play.

Poetry in the Making by Ted Hughes is an anthology of poems with extensive notes about teaching writing. As a teacher, this book helped me to understand how to teach children to closely observe the truth of experience and use words to capture and preserve their lives. Read this alongside his powerful Collected Poems for Children.

Collected Poems for Children by Charles Causley is rich with wonderful pickings. No one else writes quite like Causley, the master balladeer whose poems sound as if they are ancient folk songs sprung his own mythical world.

England – poems from a school edited by Kate Clanchy contains poems by secondary children from one school in a ‘challenging’ area. It shows just what should be bread and butter in every English department. This is the real thing – beautifully evocative poetry and should inspire every teacher.

Evidence of Dragons contains my own poems, many of which arose from writing with, alongside and for children. I hope that any teacher could take this book and find poetic ideas to use as a springboard into children’s own poetic responses.

The Mersey Sound has poems by Brian Patten, Adrian Henri and Roger McGough being playful, political and romantic. It was the book that first gave me the idea that I could write. It is of its time but I am grateful to the poems for helping me begin to find my own writing voice.

© Pie Corbett 2019

 

Posted in Favourite Children's Poetry

Sue Hardy-Dawson; My Favourite Poetry Books

My Favourite Books of Poems

Here is the third in a series where I ask children’s poets what their favourite poetry books are – they must choose 5-8 books, one of their own, and they can if they wish choose a book of poems for adults, too. Welcome this week to lovely Sue Hardy-Dawson!

My house is full of books, far more than my long suffering family think anyone should have. Of those I suspect roughly two thirds are poetry. I thought I would enjoy doing this and I did, but oh dear choosing eight, that was agony. I have many talented poet friends, far more than eight. So I elected not to choose from them, an impossible choice. Instead I’ve gone with poets either dear and departed, or books that had a profound effect on me.

I’m going to start at the very beginning with A A Milne, I’m cheating a bit because I have a book with both When We Were Very Young and Now We are Six in. I might as well because a friend stole my individual copies so I feel exonerated in this. My dad at bedtime used to act out The Dormouse and the Doctor and The King’s Breakfast. I could go on. I loved them the whole experience was so sensory, so loved and cuddly. Definitely the beginning of my lifelong love of poetry.

My next choice is 4 O’CLOCK on Friday. John Foster just somehow put together a wonderful anthology. I could write a whole article on John’s anthologies. I give mention to the First Book, 2nd Book etc series. I love them so.

Manifold Manor, Philip Gross, is my next choice. I love everything about it. Again sensory and there’s something wonderful about Chris Riddell’s understated yet mystical ravens.

My next choice is The Best of Ted Hughes, I fell in love with his Thought Fox when I was fourteen. It’s an indelible memory of a sticky hot June class room from which I escaped into a midnight snowy garden and the hot stink of fox. I confess my copy is stained and has loose pages. It has traveled with me on almost every holiday I’ve ever been on.

My next choice is The Oldest Girl in the World, Carol Anne Duffy. Again wonderfully synaesthetic poetry. It encapsulates myths and fairytales, one I often return to.

My next is a book that I think deserved much more recognition than it got, The RSPB Anthology of Wildlife Poetry. This is just gorgeous, the full stunning illustrations alone are enough to merit its inclusion. But Celia Warren has created a beautifully balanced collection here. One for all the family to enjoy for years.

My next is To Catch an Elephant, by the late great Bradford Laureate, Gerard Benson. What can I say about these beautiful, fun and poignant poems. I hear his river voice in all of them. If you haven’t come across him it’s well worth a look. His poetry for both adults and children is just joyous.

So these are just a few of the books that I keep by my bed, that I often dip into. I count myself very lucky to do what I do, my child self would never have thought it possible. Where Zebras Go, my first collection, was published by Otter-Barry Books in 2017. But I’m conscious I owe almost all of this to the wonderful legacy of poets I was introduced to by my father, by enthusiastic teachers and by wonderful, kind and talented poet friends who also encouraged and championed me.